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ISAAC ADEN
Anchor 6
 I Like America (installation view)cast aluminum, canvas, paint, wall paper, beads, and neon 10 x 45 x 20 ft 2015 |  Rodeo Paintingpainted dirt, cowboy, and bronco 135 x 226 ft. 2015 |  Rodeo Paintingpainted dirt, cowboy, and bronco 135 x 226 ft. 2015 |
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 Bead Paintingglass beads sewn on linen 12 x 9 in. 2014 |  Finger Paintingpainted steel 24 x 24 in. 2015 |  The Banality of Freedom(Lunch at Walgreens and the Diet of Worms) Installation View 2014 |
 Drones Kissingcarbon fiber, fiberglass, and lipstick 14 x 96 x 98 in 2014 |  A Dream Deflated(After Langston Hughes) bear traps and basketballs 20 x 120 x 36 in 2014 |  Portable Monument to Hegelbear skins, projection screen, pencil on linen, and neon 84 x 48 x 24 in 2014 |
 How to Explain PicturesTo a Dead Bear bear skin, skeletons, and gold 7 x 4 x 2 ft 2013 |  Untitled (Tarpaulin Painting)Tarpaulins and neon 7 x 5 ft 2015 |  Untitled ( Tarpaulin Painting)Tarpaulins and neon 7 x 12 ft each 2015 |
 Hotel>Oscar>TangoMirrors and neon 6 x 10 x 10 ft 2012 |  Untitled(31 Constructions for the Month of August) Paper Tubes 5 x 14 x 14 ft 2011 |  Untitled(31 Constructions for the Month of August) Paper Tubes 6 x 14 x 14 ft 2012 |
 Untitled(31 Constructions for the Month of August) Paper Tubes 10 x 14 x 14 ft 2012 |  Untitled(Kreide Zeichnung Kassel) Chalk Drawing 18 x 18 x 24 ft 2009 |
Anchor 5
ISAAC ADEN
1979 born in Lincoln, NE
Lives and works in Manhattan, NY
Isaac Aden’s Post-Medium practice has centered its primary research in the area of New Institutionalism. Aden makes bodies of works often tangentially related and even visually disparate with no desire to ascribe an aesthetic conclusion to his practice. In this way his practice becomes absorbent and generative.
Aden’s work is about the human condition, the American experience, and painting in the expanded field. It is my aim to consider the lessons of history from which we arrive at this current moment and focus it into creating art with hopes of retaining relevance generations beyond now.
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